“We’re all people who consume that genre of art pretty regularly,” Diggs says, “and people like to talk about how our music is scary anyway, so it makes sense.”. It flows through the bully raps of 21 Savage and ShooterGang Kony; the crime sagas of Maxo Kream; the cartoonish villainy of Sada Baby; Ronny J’s caustic low-ends. Web Exclusive “That was the only way to decide, because initially none of our friends liked this music.”, Diggs spoke on reconnecting to the people in Los Angeles’ underground scene, where clipping. “Check the Lock” nods to “Sleepin’ in My Nikes” by late Oakland rapper Seagram; the apocalyptica of “Something Underneath” channels sci-fi author N.K. Finally, the closing ambient piece, “Secret Piece” is a far more digestible field recording than “Piano Burning” from, Much has been said of the talents of Daveed Diggs, so much so that Hudson and Snipes can come across as unsung heroes. came up and his nostalgia for their early touring days: “My favorite way to listen to this music is squeezed into a very tiny, shitty place with a bunch of people. He was an original cast member of Hamilton and also has starring roles in the TV series Snowpiercer and Central Park. Number one: the body count is always bigger. 07. 1. As far as this critic is concerned, it seems that the trio saved the best songs for the sequel, Visions of Bodies Being Burned, due Oct. 23 on Sub Pop Records. While Diggs wasn’t necessarily worried that one of his dope-pushing rivals would catch him slipping, he was nonetheless relegated to picking up abandoned food at the doorstep after peering out the peephole to make sure the delivery driver was out of sight. The first tracks stay in the vein of classic movie monsters with “Say the Name” making clear reference to Candyman with its story of a hook-handed killer insisting that his victims “Say the name.” The track is quintessential Clipping, down to the Geto Boys sample that forms the hook. You know what I’m saying? 14. Built from the same blueprint of bristly noise and gory horrorcore rap, Visions of Bodies Being Burned continues where its predecessor left off, again indulging the trio’s love of horror. Jacob Pellegrino Visions of Bodies Being Burned, like There Existed an Addiction to Blood, is a clear homage to the horrorcore canon, so it’s necessarily a pastiche. Audiences can draw a morbid catharsis from the depictions of our worst fears. Catch up every Saturday with 10 of our best-reviewed albums of the week. All rights reserved. played a livestream for the National Air and Space Museum, “Space Songs: Through the Distance”. The song also continues Clipping’s references to classic hip-hop and rap seen throughout the album with the line “What’s cooler than being cool? Listen: clipping. - Say The Name. Visions of Bodies Being Burned drops this Halloween season, October 23rd, through Sub Pop. Today's Song of the Day is "Say The Name" from clipping. Similarly, the entrancing instrumental on “Enlacing” is a fantastic psychedelic counterpoint to the cosmic horror of the lyrics, putting the listener right in the club with the protagonist as they struggle against an impending demise. Minnesota Music “’96 Neve Campbell” also makes obvious references to classic horror films, name dropping the titular actress from Scream in a tribute to the Final Girl trope. A horror movie for your ears, Clipping’s second exploration of terror does not disappoint. The Candyman– and Rosemary’s Baby-referencing “Say the Name,” and the Cam & China-featuring “96 Neve Campbell” — an homage to Scream and the horror genre’s “final girl” trope — are two standouts that outshine much of the material on Addiction to Blood. 10. Before I sat to recount this chilling tale, before my virtual interview with rapper Daveed Diggs and producers William Hutson and Jonathan Snipes, before our conversation was severed at the 40-minute Zoom call limit — ending as I blurted one last question about the impending release of their forthcoming record — I scrolled through clipping.’s Twitter feed. Even as he “run[s] the … city,” the dealer feels a need to “check the lock every time he walks by the door.” Continually checking behind his back and around him, the rational fear associated with drug dealing is transformed into a supernatural terror. For all the talk of violence, the blood, gore, and immolation, the group’s members were very polite on Zoom. clipping. DOOM’s whole career is rapped in third-person. The band’s willingness to explore not just the campy slasher gore of the horror, but its various demented subgenres and permutations give the record a genuinely chilling edge. “Say the Name” tells the story of Candyman, the son of a slave who was killed by a lynch mob due to his relationship with a white woman, and returned as a murderous ghost. 12. Listen Live, Exploring the musical legacy of Prince and beyond In his analysis of the 2019 LP, music critic Stephen Kearse called the album “their most bloodless project to date.”. Pitchfork is the most trusted voice in music. In “Visions of Bodies Being Burned,” experimental hip-hop outfit Clipping expands on the sinister world it created with its previous album, “There Existed an Addiction to Blood.” Both albums venture into horrorcore, an oft-forgotten subgenre of hip-hop based on dark, violent and transgressive themes typical of horror movies such as murder or supernatural hauntings. Clipping – “Say The Name” Clipping’s music has always sort of worked as horror. The Los Angeles-based clipping. Diggs also delivers the line “something in this room didn’t used to be” in the chorus to emphasize the sense of paranoia as the dealer descends even deeper into insanity. Frankly, Tiger Sugar undeniably delivered on the aesthetic front, but lacked depth of flavor and choices. 16. “Check the Lock” is another standout track, detailing a drug lord’s paranoia and slow fall into madness. Their track “Pain Everyday” calls on the ghosts of lynching victims to haunt their killers’ white descendants. Looking Like Meat (feat. Beyond the mere frights it gives, the album speaks to the nature of scary movies as cultural timepieces. Sponsor . © 2020 Minnesota Public Radio. With such an unceasingly dark tone to the album, the moments of genuine beauty stand out all the more. Bloodless though it may be, it’s alive! “’96 Neve Campbell” reimagines the Scream star as a slasher’s worst nightmare, guests Cam & China the foils to Billy and Stu. The instrumental continues to oscillate between moments of ferocity and calm, utilizing static and discordant notes, and Diggs’ rapid verses contrast sharply with his singsong chorus. Why do we enjoy being scared and what drives consumers to go back to the genre’s well of viscera? Make Them Dead Clipping. 's new record, Visions of Bodies Being Burned, out now. Clipping applies these conventions to modern social concerns in order to address the difficulties and inequalities of today. Alas, venues like these will be the last to come back amid the shaky reopenings of a bungled pandemic response. Oftentimes, the best horror is one that connects fantastical onscreen fears with legitimate societal ones. Much has been said of the talents of Daveed Diggs, so much so that Hudson and Snipes can come across as unsung heroes. var addthis_pub="4a0dbe61011c49a9"; The concept of horror is fascinating. There’s plenty of mood to clipping.’s horrorcore, but no theater, no ham, no cheese. Few listening experiences this year are as gripping, visceral, and vivid as Visions of Bodies Being Burned. The clanging pots and revving chainsaws that punctuate the instrumental of “Eaten Alive,” or the beat constructed from a ping pong ball on “Body on the Pile” give a detailed sense of place and presence for Diggs to fill with his voice. clipping. clipping. Announce Visions of Bodies Being Burned, Share “Say the Name”: Stream The sequel to their 2019 horrorcore statement There Existed an Addiction to Blood But it’s disappointing how academic the record’s sense of terror is. The album’s title is lifted from “Mind Playing Tricks on Me,” expanding Scarface’s anguished recap of a nightmare—“candlesticks in the dark, visions of bodies being burned”—into a cinematic universe of horrors. clipping. However, when a real life horror story unfolded in the form of a global pandemic, the second chapter’s release date was moved to just before Halloween. On view in person and online through Thursday, Nov. 12, the exhibition is the product of a study abroad experience that brought the pair together and their conversations about the idea of growth. - Visions of Bodies Being Burned (Sub Pop Records) Play/Pause. He skillfully combines Candyman’s bees with a reference to rapper Ol’ Dirty Bastard’s classic “Shimmy Shimmy Ya” when he mentions their “swarm … raining on your college-ass disco.” Diggs also raps that “the hook gon’ be the last thing she remember,” which can refer to both the hook of the song and Candyman’s hook hand, which he uses to brutally murder his victims. To herald the October 23rd release date, the experimental rap group has unveiled the new song “Say the Name”. “Something Underneath” uses Diggs’ rapid-fire flow and tribal drumming to give the track the feel of an occult ritual chant. “Something Underneath” begins with a sense of foreboding as monsters are called to “raise up out the dirt” as its droning beat grows more intense and kinetic. Jeff Parker and Ted Byrnes) Time will tell whether Kearse will find clipping.’s followup more sanguineous. Why do we enjoy being scared and what drives consumers to go back to the genre’s well of viscera? Ho99o9) Visions of Bodies Being Burned will be released through Sub Pop Records on October 23. Experimental hip-hop trio Clipping accomplished exactly that with its 2019 LP, The first tracks stay in the vein of classic movie monsters with “Say the Name” making clear reference to, Unless you ready to back it up why you play with/The fairer sex/Fairly quick get your brain split.” These tracks continue in the slasher direction of, That edge is made all the sharper by Clipping’s ability to use horror to comment on the violence of the world around them. Clipping ended their previous album, “There Existed an Addiction to Blood,” with an 18-minute performance of an Annea Lockwood composition, which they called “Piano Burning.” A recording of an upright piano set on fire, the track provided a thematic end to the album. So, while Pitchfork described clipping.’s first half of their horrorcore anthology at times as mechanical, sock puppet-like and overly referential, the twist is that this was their intention all along. Clipping. Diggs sipped on some vanilla cold brew coffee and answered questions in his friendly, charismatic tone; Hutson chimed in casually from his sunlit living room; and Snipes answered questions with a contemplative air, sitting in front of loads of audio gear.
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